“On Jan 20 2005 began mixing blue pigment into a white dolomite field chalk and applying it to a piece of the shore of the former lake with a baseball field line chalker. Through a grant I was able to complete drawing the line around the entire lake perimeter. On Oct 22, 2007 I completed a line around the former lake and hosted an alley cat bike race and bbq. Press release information about the events at the bottom of the page. Mission Lake Project was sponsored by SoEx Off-Site, a yearlong series of public art projects investigating diverse strategies for exploring and mapping public space, www.soex.org”
HERE, a project by Glenn Robert Lym Architect AIA/PhD, is a series of video films that look at architecture from the perspective of the San Francisco Bay Area. Most episodes examine Bay Area buildings and landscapes. Some venture to other parts of America and beyond.
This is the story of how a massive erasure of landscape occurred in early San Francisco, motivated by explosive population growth and fueled by an influx of mining and industrial wealth. Without second thought, San Francisco transformed sand dunes, hollows, creeks, marshes and bay waters into the flat lands now known as Market Street, South of Market, the Mission District, South Beach, the Financial District, Union Square and the Tenderloin.
Images and Text via Glenn Robert Lym’s website HERE
Visual Memories by Fiona Moran. Courtesy of Ryan Aragon.
– Start and finish at 16th street and Misson street.
– Headed down Mission to Clarion Alley, took a right up to Valencia.
– We then turned left down to 18th street and turned right.
– We followed 18th to Dolores Park and grabbed ice cream at Bi Rite Creamery.
– Ice-cream in hand we were told to think about elevation and sidewalk changes as we walked the next few blocks
– We then travelled back on Dolores to 16th street and turned left toward Corona Heights and the Castro.
– We crossed Castro and walked up 16th to the top of Corona Heights stopping to meet geologist Christopher Lewis at Flint.
– Ice-creams no longer in hand.
– Chris took us around the hill top to see different views and left overs from earthquakes indicating geological movement as well as rock outcroppings to better illustrate what he was explaining.
– He explained the view we saw from the top of the hill illustrated where faults exist by tracking where hills came up from flat. For example the hills we looked at across the bay start at the Hayward fault.
– He briefly spoke about the past topography of the Mission district (with a lake, and how Mission Creek used to rune straight through the middle, and most importantly that the mission was marsh land that led to the bay.)
– He told us the two main environmental hazards in California were landslides and earthquakes, but knowing the past topography of the mission, soon with rising sea levels flooding will also be an issue.
– He then explained that the street names are embossed on the corners so that people can navigate in a catastrophic situation. (Post 1989 Urban Plan)
– We talked about how much of the city is built upon fill, sunset and marina are on sand, while much of the Mission, Embarcadero, Soma, Bay View, and Hunters Point are landfill.
– He then set into the rock that dominantly exists in SF. Mostly mesozoic sedimentary and Serpentinite (California state rock), all of which is oceanic and originated on the sea floor.
– Explaining further that sedimentary chert is old sea floor compressed shells and debris, while Serpentinite is ocean cooled mantle. [Mention of Pulgas Water Temple in south bay and Sunol Water Temple in east bay.]
– He showed us the side of the sedimentary rock we were in front of to display a fault that was uncovered by quarrying in the area many years ago.
– Went on to explain how 280 highway and skyline (highway 35) trace the San Andreas Fault, the fault moves offshore north of there in Pacifica, and back on in Bolinas following up through Tomales Bay, Dog-patch and Potrero Hill are Serpentinite outcroppings.
– Last tie bit: Rip wrap in surf at ocean beach contains old tombstones from cemeteries moved to Colma in the 30s and 40s.
– We then followed the same path back to 16th and Mission.
Observations and Notes Taken by Timothy Kopra. Edited by Sebastian Alvarez.
Thanks to Christopher J Lewis. Chair, Earth Sciences Department.
Emotional Cartography is a collection of essays from artists, designers, psychogeographers, cultural researchers, futurologists and neuroscientists, brought together by Christian Nold, to explore the political, social and cultural implications of visualizing intimate biometric data and emotional experiences using technology.
Essays by Raqs Media Collective, Marcel van de Drift, Dr Stephen Boyd Davis, Rob van Kranenburg, Sophie Hope and Dr Tom Stafford.
This Atlas is an atlas and not the atlas. Rather, it is one of many possible atlases, given the abundance of artists, architects, and others using maps and mapping in their work. While all maps have an inherent politics that often lies hidden beneath an “objective” surface, the contributions to An Atlas of Radical Cartography wear their politics on their sleeve. This publication includes ten pairs of politically engaged maps and texts from within the growing movement of cultural producers who have parallel or integrated activist practices.
The simplest of radical cartographies, the “upside-down” world map, appears on the cover of this book. More than a neat trick, this picture of the world has a historical basis in medieval world maps that were sometimes oriented with East or South at top. The modern north-oriented map continually reproduces the idea of the global North and the global South. The “inverted” map calls into question our ingrained acceptance of this particular “global order.” The maps and texts in this book also serve this purpose—to unhinge our beliefs about the world, and to provoke new perceptions of the networks, lineages, associations and representations of places, people and power.
Text written by Alexis Bhagat & Lize Mogel. Continue HERE
The Ellis Act is a state law which says that landlords have the right to evict tenants in order to “go out of business”. All units in the building must be cleared of all tenants- no one can be singled out. Most often it is used to convert to condos or group-owned tenancy-in-common flats. Once a building becomes a condo it is exempt from Rent Control, regardless of the age of the building, and even if a unit owner subsequently rents to a long-term tenant.